Don't applaud. Either laugh or don't. (At the Comedy Cellar.)

Don't applaud. Either laugh or don't. (At the Comedy Cellar.)

Andrew Hankinson

Nonfiction / Crime / True Crime

What counts as funny, what as toxic, and who gets to decide? Explore the serious business of stand-up with Andrew Hankinson, author of cult classic You Could Do Something Amazing With Your Life [You Are Raoul Moat]. AMY SCHUMER. LOUIS CK. JERRY SEINFELD. CHRIS ROCK. They all worked the Comedy Cellar in Greenwich Village, honing their acts, experimenting, taking risks. It was a safe space, thanks to the principles of its first owner, Manny Dworman, then his son Noam. The only threat to freedom of expression was a lack of laughs.But how did a New York taxi driver, born in Tel Aviv, create comedy's most important stage? How did he influence some of the biggest names in stand-up? What are the limits of a joke? Who decides? And why does the comedians' table matter so much?Andrew Hankinson speaks to the Cellar's owner, comedians, and audience members, using interviews, emails, podcasts, letters, text messages, and previously private documents to...
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You Could Do Something Amazing with Your Life [You Are Raoul Moat]

You Could Do Something Amazing with Your Life [You Are Raoul Moat]

Andrew Hankinson

Nonfiction / Crime / True Crime

Winner of a Northern Writers AwardThese are the last days of Raoul Moat.Moat was the fugitive Geordie bodybuilder-mechanic who became notorious one hot July week when, after killing his ex-girlfriend's new boyfriend, shooting her in the stomach, and blinding a policeman, he disappeared into the woods of Northumberland, evading discovery for seven days—even after TV tracker Ray Mears was employed by the police to find him. Eventually, cornered by the police, Moat shot himself.Andrew Hankinson, a journalist from Newcastle, re-tells Moat's story using Moat's words, and those of the state services which engaged with him, bringing the reader disarmingly close at all times to the mind of Moat. It is a reading experience unrelieved by authorial distance or expert interpretation. The narrative Hankinson has woven is entirely compelling, even if Moat's weaknesses are never far from sight, requiring the reader to work out where they should stand.
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