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  Bhumi – the goddess of Earth, considered Mandavi – wife of Bharata, Sita’s cousin, to be Sita’s real mother

  Kushadvaja’s daughter

  Janaka – king of Mithila; Sita’s adoptive Mithila – the capital city of Janaka’s

  father who found Sita in a furrow

  kingdom, and Sita’s birthplace

  466

  ch a r acter s a nd ter ms

  Shrutakirti – Shatrugna’s wife, Sita’s

  Sunayana – King Janaka’s wife, mother of cousin, Kushadvaja’s daughter

  Urmila and Sita

  Sita – “Furrow,” Rama’s wife who appeared Urmila – Sita’s sister, daughter of Janaka from the earth, adopted by King Janaka

  and Sunayana; wife of Lakshmana

  as his own, also known as Janaki

  OTHER BEINGS AND TERMS

  Agni – lord of fire

  Dharma – one of Kaikeyi’s favorite horses Ahalya – the stone-woman, Gautama’s

  Gautama – one of the sapta-rishis, or seven beloved wife, a mind-born daughter of

  sages, recognized as supremely exalted;

  Brahma

  author of several ancient hymns found

  Ananta-Sesha – thousand-headed serpent

  in the Rig and Sama Vedas

  on whom Vishnu rests

  Indra – lord of Heaven

  Atibala – one of the sentient mantra-

  Indrajit – “Conqueror of Indra,” Ravana’s weapons Rama receives from

  son and heir to Lanka

  Vishvamitra, healer of wounds, sister to

  Jatamamsi ointment – an Ayurvedic

  Bala

  remedy

  Ayodhya – the indestructible capital city of Kajal – a black-colored cosmetic used

  Earth

  around the eyes and sometimes on

  Ayodhyan – citizen of Ayodhya, “the

  forehead

  indestructible”

  Kalinga – a province

  Bala – one of the sentient mantra-weapons Kamadeva – cupid, god of love

  Rama receives from Vishvamitra,

  Kaushika – Vishvamitra’s original name

  reliever of fatigue, sister to Atibala

  before transforming into a sage

  Bhagiratha – Rama’s ancestor who

  Kekaya – Kaikeyi’s birth kingdom

  brought down the sacred Ganga from

  Khus – vetiver, Rama’s favorite fragrance the heavens

  Kuvera – treasurer to the gods, Ravana’s Bilva – a tree whose leaves are used in

  half-brother

  worship and for decoration

  Nishadas – the forest tribe loyal to

  Brahma (Lord) – father of the universe,

  Ayodhya, ruled by Guha

  the creator of all, and granter of boons

  Lakshmi – the goddess of wealth and

  Brahmin – a high priest deeply schooled in prosperity, Vishnu’s eternal consort

  the sacred scriptures

  Mahisi – the Great Queen

  Chakra – Vishnu’s legendary discus, one

  Manu – the First Man, who built Ayodhya

  of the weapons Rama receives from

  and fathered mankind

  Vishvamitra

  Marichi – Ayodhya’s blood-drinker

  Dandaka – an uncivilized jungle

  prisoner; son of Tataka

  considered a borderland full of

  Menaka – a celestial damsel and dancer in supernatural creatures

  Indra’s court

  Dashamukha – “Ten Heads,” one of

  Padmini – Sita’s personal maidservant

  Ravana’s original names

  Parashuram – the notorious warrior hater 467

  ch a r acter s a nd ter ms

  Parivritti – the neglected woman Surya – lord of the sun

  Rambha – a celestial damsel, one of the

  Tara – Rama’s horse

  famous four

  Tataka – the first blood-drinker Rama kills; Rasatala – the hellish planet below Earth a female monster

  where the blood-drinkers were cursed

  Tulsi – the holy basil plant, an essential to live

  component in the temple’s rituals

  Ravana – King of the blood-drinkers; name Urvasi – a celestial damsel in Indra’s means “loud wailing”

  court; often considered one of the four

  Rishyashringa – son of Vibhandaka,

  primary ones, along with Rambha,

  mysteriously conceived by a deer

  Menaka, and Tilottama

  Romapada – king of Anga, close friend of Uttar-kashi – a province above Kashi

  King Dasharatha

  Varuna – the ocean god

  Rudraksha – spiky beads worn by holy

  Vavata – the concubine

  ones for auspiciousness

  Vayu – lord of the wind

  Sandesh – the stallion King Dasharatha

  Vedas – the sacred ancient text, divided rides on when he first meets Kaikeyi

  into four divisions: Rig, Sama, Yajur,

  Sarayu – the river running alongside

  and Atharva

  Ayodhya

  Vedavati – incarnation of the goddess

  Shabala – a celestial wish-fulfilling cow, Lakshmi, who cursed Ravana when he

  who appeared from the milk ocean

  accosted her

  during the legendary churning

  Vibhandaka – ascetic, grandson of

  Shambara – the blood-drinker who causes

  Brahma, father of Rishyashringa

  King Dasharatha’s near-fatal wound

  Videha – the province of King Janaka

  Shatananda / Ananda – son of Gautama

  Vishakanya – a strikingly beautiful

  and Ahalya, Sita’s mentor and King

  maiden, poisonous to the touch;

  Janaka’s chief priest

  assassin of kings

  Shiva – lord of dissolution, who dances

  Vishnu – the maintainer of the universe, vigorously as the world comes to its end

  present in every molecule of creation

  Shigraga – one of Sita’s distant relatives, an Vishvakarma – the divine architect of the old man Urmila dreaded marrying

  gods who made Shiva’s bow

  Soma – a plant with a moon-shaped

  Vishvamitra – Rama’s mentor, formerly

  bulb, addictive, intoxicating, used

  King Kaushika, exalted from warrior to

  medicinally as a pain remedy

  sage

  Subahu – the impersonator who sets

  Yama – lord of death

  Marichi free; son of Tataka, brother of

  Marichi

  468

  Artist’s Note

  The illustrations for this book began as a vision that never left me. Sita, Rama, Lakshmana, and Hanuman have been in my consciousness since I was a young adult living in Sweden.

  Like a seed that is put into fertile soil, the Ramayana has been growing daily. The fruit of that seed will be an illustrated trilogy based on India’s ancient classic.

  The origin of this project can be traced back to 1998 when my daughter left home at the age of fourteen to attend a boarding school in Florida. Needless to say, my life changed as she left Sweden and I had to adjust to living without her. The idea of working on a project together took birth at that time. Because of the vast distance between us, I thought that a joint project would keep our bond strong and I would perhaps feel less the pain of separation from her.

  I dare say that this book is a product of love more than anything else: the love that my daughter and I share for each other and the love we have for the wisdom, beauty, and knowledge of the ancient Indian history and religion.

  I am basically a self -taught artist in regards to book illustration and painting watercol-ors. It has been a continuous learning experience for me, a process that is still in progress.

  I am grateful and indebted to numerous artists, both earlier and contemporary, who have helped me on this journey. Without absorbing their skills and accomplishments I would not be where I am today as an artist. I am certainly aware of my limitations as an illustrator, 469

  a rtist’s note

  which helps me be humble and reminds me to experiment with new ways and to learn from the experts.

  The illustrations do not entirely cohere with the text. There are several reasons for this.

  Primarily, the manuscript did not exist when I began to do the artwork. This was a new experience for me and my daughter. I knew next to nothing about illustrating a book as I embarked on this project. My daughter also began expanding the text to such an extent that I began a marathon to keep up. Much contemplation has gone into each illustration, and up until the publisher’s deadline, I worked diligently, hoping to produce one painting per chapter.

  The trilogy is the product of efforts by many people who are dear to me. Without their patience and support this work would never have fructified, like a plant that can’t survive without water and nutrition. A special thanks goes to Vrinda, my daughter and co-worker.

  Her writing complements whatever I do graphically. I could never have done this book without her and it encourages me to see how she is so inspired by this writing and how she has brought it to a very personal level. Her writing has greatly enhanced both of our lives.

  470

  a rtist’s note

  I also must extend a big hug and thanks to Len, my husband. He has always encouraged me in my artistic pursuits, even if, as a consequence, dinner was not always there on the table.

  Sam Cohen, my late father-in-law deserves a mention here also. The accumulation of inheritance from his life’s work helped to pay for the manufacture of this trilogy.

  “From the inside out” is an expression that many of you have heard. That is what I want to welcome you to. My inside creative, fantastic world of art and illustration will be shared with you and the outside world. I hope you enjoy it.

  Lastly, I am eternally indebted to my spiritual mentors, to Srila Prabhupada, and to the brilliant spiritual path of bhakti. I humbly offer my heart in their service.

  471

  Illustration Index

  The Great Queen

  The Victory Horse

  Kausalya

  page 3

  page 37

  The Swan Lake

  Peacock in Ayodhya

  page 7

  page 41

  The King’s Stallion

  Garden Gazebo

  Sandesh

  page 10

  page 47

  Kaikeyi on

  Kaikeyi’s Caretaker

  Horseback

  page 19

  page 51

  Battling

  Kaikeyi and

  Blood-drinkers

  Manthara

  page 27

  page 57

  The Great King

  Peacocks

  Dasharatha

  page 60

  page 30

  472

  illustr ation index

  Manthara

  Kaikeyi the

  on the Prowl

  Warrior-Queen

  page 69

  page 120

  City of Ayodhya

  Battle Wounds

  page 83

  page 124

  Soaring Cranes

  The Vision of a Boy

  page 86

  page 131

  Ravana’s Phantom

  A Tender Moment

  page 94

  page 145

  The Sacrificial

  Battle Axe

  Horse

  page 98

  page 154

  King of the

  The Disgruntled

  Blood-drinkers

  Hunchback

  page 105

  page 162

  The King and

  Holy Dancing Girls

  his Queens

  page 111

  page 170

  473

  illustr ation index

  The Heavenly

  Kaikeyi on Swing

  Nectar

  page 201

  page 173

  The Successful

  Toddler Rama

  Sacrifice

  page 204

  page 175

  The Royal

  Dasharatha’s Joy

  Playground

  page 179

  page 206

  The Firstborn Son

  Four Royal Brothers

  page 181

  page 211

  Kausalya’s

  The Foundling

  Motherly Love

  Princess

  page 185

  page 217

  Sleeping Sons

  Wild and Free

  page 187

  page 222

  Kaikeyi’s Pride

  Hunting Expedition

  page 194

  page 233

  474

  illustr ation index

  Archery Lesson

  Dasharatha’s Sword

  page 241

  page 277

  Spiked Club

  Teenage Rama

  page 245

  page 286

  Rama’s Bow

  Shabala – The

  and Arrow

  Wish-fulfilling Cow

  page 251

  page 293

  Ayodhya’s

  Vishvamitra

  Oldest Prisoner

  and the Princes

  page 254

  page 301

  Tataka – The

  Battle Axe

  Hideous Demoness

  page 259

  page 305

  Youthful

  Bala and Atibala

  Prince Rama

  page 310

  page 267

  Dasharatha

  Ahalya – The

  Defends Ayodhya

  Stone-woman

  page 271

  page 318

  475

  illustr ation index

  Sita’s Morning

  Sita’s Beauty

  Routine

  page 323

  page 360

  Vedavati Accosted

  Flying Geese

  by Ravana

  page 363

  page 324

  Lakshmi –

  A Shield and Sword

  Goddess of Fortune

  page 368

  page 326

  Kashi on his

  Juvenile Sita

  Elephant

  page 332

  page 371

  Stringing

  Sorrowful Sita

  Shiva’s Bow

  page 377

  page 338

  Sita and Rama

  Rama under Attack

  in Love

  page 381

  page 346

  Sita’s Love

  Manthara’s

  for Animals

  Lily of the Valley

  page 354

  page 393

  476

  illustr ation index

  The Swans

  The Exiled Royalty

  Deliver a Message

  page 442

  page 397

  The Portentous

  Dasharatha’s

  Omen

  Despair

  page 404

  page 444

  The Pivotal

  Dasharatha’s

  Moment

  Deathbed

  page 410

  page 451

  The Beloved’s

  Kaikeyi Weakens

  Demands

  page 455

  page 417

  Rama and

  Invoking a Memory

  Lakshmana

  page 418

  page 470

  Rama’s

  Sita and the

  Consecration

  Sacrificial Bow

  page 427

  page 471

  Young Sita

  page 436

  477

  Look for Book Two

  Available Spring 2017

 


 

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