Fast-paced and intelligent, blending historical fact with persuasive fiction, The Sacred Bones is an addictively compelling thriller that calls into question many of modern religion's most deeply-held beliefs. Jerusalem is a ticking time bomb ...An ancient artefact is stolen from beneath Temple Mount. With thirteen Israeli soldiers dead, and the Palestinians outraged over the desecration of the sacred ground, tensions are running high. Detectives must work against the clock to identify the stolen relic and the thieves, before civil unrest escalates to deadly proportions. Meanwhile, in Vatican city, American scientist Charlotte Hennesey and Italian anthropologist Giovanni Bersei have been secretly summoned to analyse a mysterious artefact, that could prove to be history's darkest secret: a human skeleton, approximately 2,000 years old, and bearing the unmistakeable marks of crucifixion ...With the malevolent eye of Vatican security expert Salvatore Conte watching her every move, Charlotte must work against the clock to uncover an astonishing truth that threatens the very foundations of belief.And there's a more immediate question to face: whether the Vatican will allow this information - and Charlotte - to see the light of day . ..

In 220 EC, the 400-year-old rule of the mighty Han dynasty came to an end and three kingdoms contested for control of China. Liu Pei, legitimate heir to the Han throne, elects to fight for his birthright and enlists the aid of his sworn brothers, the impulsive giant Chang Fei and the invincible knight Kuan Yu. The brave band faces a formidable array of enemies, foremost among them the treacherous and bloodthirsty Ts'ao Ts'ao. The bold struggle of the three heroes seems doomed until the reclusive wizard Chuko Liang offers his counsel, and the tide begins to turn.Romance of the Three Kingdoms is China's oldest novel and the first of a great tradition of historical fiction. Believed to have been compiled by the play-wright Lo Kuan-chung in the late fourteenth century, it is indebted to the great San-kuo chi (Chronicles of the Three Kingdoms) completed by the historian Ch'en Shou just before his death in 297 CE. The novel first appeared in print in 1522. This edition, translated in the mid-1920s by C. H. Brewitt-Taylor, is based on a shortened and simplified version which appeared in the 1670s. An Introduction to this reprint by Robert E. Hegel, Professor of Chinese and Comparative Literature at Washington University, provides an insightful commentary on the historical background to the novel, its literary origins and its main characters.This epic saga of brotherhood and rivalry, of loyalty and treachery, of victory and death, and the deeds of its heroes and villains during one of the most tumultuous periods in Chinese history, forms part of the indelible core of classical Chinese culture and continues to fascinate modern-day readers.

These stories from the middle period of Chekhov's career show him exploring complex, ambiguous and often extreme emotions. Influenced by his own experiences as a doctor, 'Ward No. 6', set in a mental hospital, is a savage indictment of the medical profession. 'The Black Monk', portraying an academic who has strange hallucinations, explores ideas of genius and insanity; in 'Murder', religious fervour leads to violence; while in 'The Student', Chekhov's favourite story, a young man recounts a tale from the gospels and undergoes a spiritual epiphany. In all the stories collected here, Chekhov's characters face madness, alienation and frustration before they experience brief, ephemeral moments of insight, often earned at great cost, where they confront the reality of their existence.

Iran is building nuclear devices, and it's up to Murdock and his platoon to stop them. Only one person is qualified to dismantle the warheads…an expert by the name of Katherine Garnet.

In the autumn of 1558, church bells across England ring out the joyous news that Elizabeth I is the new queen. One woman hears the tidings with utter dread. She is Amy Dudley, wife of Sir Robert, and she knows that Elizabeth's ambitious leap to the throne will draw her husband back to the center of the glamorous Tudor court, where he was born to be. Elizabeth's excited triumph is short-lived. She has inherited a bankrupt country where treason is rampant and foreign war a certainty. Her faithful advisor William Cecil warns her that she will survive only if she marries a strong prince to govern the rebellious country, but the one man Elizabeth desires is her childhood friend, the ambitious Robert Dudley. As the young couple falls in love, a question hangs in the air: can he really set aside his wife and marry the queen? When Amy is found dead, Elizabeth and Dudley are suddenly plunged into a struggle for survival. Philippa Gregory's The Virgin's Lover answers the question about an unsolved crime that has fascinated detectives and historians for centuries. Intelligent, romantic, and compelling, The Virgin's Lover presents a young woman on the brink of greatness, a young man whose ambition exceeds his means, and the wife who cannot forgive them. From Publishers Weekly Bestseller Gregory captivates again with this expertly crafted historical about the beautiful young Virgin Queen, portrayed as a narcissistic, neurotic home-wrecker. As in her previous novels about Tudor England (The Queen's Fool, etc.), Gregory amasses a wealth of colorful period detail to depict the shaky first days of Elizabeth I's reign. The year is 1558, an especially dangerous time for the nation: no bishop will coronate Henry VIII's Protestant daughter, the treasury is bankrupt, the army is unpaid and demoralized. Meanwhile, the French are occupying Scotland and threatening to install "that woman"—Mary, Queen of Scots—on the throne. Ignoring the matrimonial advice of pragmatic Secretary of State William Cecil, the 25-year-old Elizabeth persists in stringing along Europe's most eligible bachelors, including King Philip of Spain and the Hapsburg archduke Ferdinand. It's no secret why: she's fallen for her "dark, saturnine" master of horse, Sir Robert Dudley, whose traitorous family history and marriage to the privately Catholic Amy make him an unsuitable consort. Gregory deftly depicts this love triangle as both larger than life and all too familiar; all three characters are sympathetic without being likable, particularly the arch-mistress Elizabeth, who pouts, throws tantrums, connives and betrays with queenly impunity. After a while the plot stagnates, as the lovers flaunt their emotions in the face of repetitious arguments from Amy, Cecil and various other scandalized members of the court. But readers addicted to Gregory's intelligent, well-researched tales of intrigue and romance will be enthralled, right down to the teasingly tragic ending.

I saved his life . . . and I had much to demand in return.When he washed up on shore, I knew my prayers had been answered, and that I, Lady Chelsea Campion, need no longer fear poverty and heartbreak. To secure my family's estate, all I needed was a child. Handsome, clearly noble-born, and with no memory of his previous life, the mysterious man was perfect. All I had to do was visit his bedchamber and seduce him. I had expected him to be a skillful, scandalously wonderful lover, but once in his arms I was overcome by something more than mere passion. I had fallen hopelessly, desperately in love.My plan has gone shockingly awry. But I will not give up a man who makes me feel such wicked ecstasy. No matter his true identity, no matter the secrets he struggles to remember, I will do anything in this world to make this stranger love me.